Monday, April 22, 2019

Jodi Ekdin 2019 Bangladeshi Movie

April 22, 2019
Jodi Ekdin (2019) Bangladeshi Film Jodi Ekdin is a Bangladeshi Romantic film screenplay and directed by Mohammad Mostafa Kamal Raz in (2019). The film is starred by Tahsan Khan, Srabanti Chatterjee and Afrin Shikha Raisa as child artist in the lead roles. The film is released on 8th March, 2019 on International Women’s Day all over the country. Story: The film is about a father’s love to his daughter. For her happiness he consents to sacrifice everything happened in his life. Cast: Tahsan Khan as Faisal Afrin Shikha Raisa as Rupkotha Srabanti Chatterjee as Aritri Taskeen Rahman as Jemy. Personal Review: Jodi Ekdin is a hit film in Bangladesh. It is one of the most grossing films in 2019 in Bangladesh. At first I thought that the film story is an autobiography of Tasan Khan and Rafiath Rashid Mithila and their daughter Arya Tahreen Khan. They both have been separated before some years. But after finishing the full movie the story has changed my views. This is a unique story. I love the story. Specially, the ending one is most important in the film. Here there are introduction phase, climax phase and a good ending phase. And the most important thing is emotion. The director has used character’s emotion in the film is such a way that the film has achieved its application to the audiences. In the lead roles, tahsan Khan and Afrin Shikha Raisa have played their roles importantly. And the srabanti’s performance has increased their application to the audiences. All they have played their natural performance as possible. The narrative is also a very unique and attractive. It is a tight script. But there are some excessive dialogues in some slow motion scenes. These are the weak phases of the film. Another important and attractive thing is its songs. They are hearable and popular to the audiences. Specially, the theme music is also has kept its main contribution in the film. There is special appearance of Taskeen Rahman. But his performance and dialogue is not same as Tahsan and Srabanti. His has tried his best in performance and dialogues. But he has done his best in “Dhaka Attack” (2017). His dialogues and performance are weak in this film. Another important thing I have noticed in the film is formality. Tahsan Khan’s formal dialogues and performance in the office but he does also in the house with his mother and daughter. I guess they are the members of a high class family. So, they can do it easily. But sometimes I think do the high society’s family members never leave formality for a moment? It makes me thinking more. I don’t know. But I think there should something informalities in the house performance. Specially, dialogues with mother and daughter at home are that. I have said about background music. It’s awesome and very attractive. The cinematography is also awesome and excellent. There are variations in the shots, scenes and dialogues. Set design, make up and costumes are also made precisely. Overall the film keeps its appeal as a hit film to the audiences. But there are some weak directions in a film. It has also had some. There are some unnatural performances in the film of Taskeen Rahman and the character of Tahsan Khan’s mother. There are also unnatural dialogues of them. In Editing I have noticed one thing in the scene when Tahsan Khan hears the sound of a child in a dream scene. He sleeps rapidly and the editor has left only one shot between the two same shots taken as wide shot. The wide shot in which the light is switched off, should be durable or should add another shot for holding naturalism. But I guess he slept and after a single shot again gets up. I think it’s not natural or could not hold reality. But overall the film is best for its outstanding story and performance and tight script. However, Tahsan’s performance is excellent. As a father, he agrees everything to sacrifice for his daughter Rupkotha (Afrin Shikha Raisa). Actually he is not her biological father rather his friend Jemy. But Faisal loved Diya, Rupkotha’s mother truly. Jemy consented to abort for the purpose of his carrier. But Diya did not agree in abortion. So, after her death, he could not leave Rupkotha and at the ending scene he was also going to sacrifice another thing for his best friend Jemy. Actually there is something in human life for living whatever a profession or a human. But Faisal’s life is only for Rupkotha. He is her father he is her mother he is her everything. In this sense, his acting is extra ordinary in the film that has contributed it mostly to be attractive to the audiences.
Tahsan Khan and Afrin Shikha Raisa in Jodi Ekdin (2019)

Jodi Ekdin (2019) Bangladeshi Film
Jodi Ekdin is a Bangladeshi Romantic film screenplay and directed by Mohammad Mostafa Kamal Raz in (2019). The film is starred by Tahsan Khan, Srabanti Chatterjee and Afrin Shikha Raisa as child artist in the lead roles. The film is released on 8th March, 2019 on International Women’s Day all over the country.

Story:
The film is about a father’s love to his daughter. For her happiness he consents to sacrifice everything happened in his life.

Cast:
Tahsan Khan as Faisal
Afrin Shikha Raisa as Rupkotha
Srabanti Chatterjee as Aritri
Taskeen Rahman as Jemy.
Srabanti Chatterjee in Jodi Ekdin (2019) Mvoe

Personal Review:

Jodi Ekdin is a hit film in Bangladesh. It is one of the most grossing films in 2019 in Bangladesh. At first I thought that the film story is an autobiography of Tasan Khan and Rafiath Rashid Mithila and their daughter Arya Tahreen Khan. They both have been separated before some years. But after finishing the full movie the story has changed my views. This is a unique story. I love the story. Specially, the ending one is most important in the film. Here there are introduction phase, climax phase and a good ending phase. And the most important thing is emotion. The director has used character’s emotion in the film is such a way that the film has achieved its application to the audiences. In the lead roles, tahsan Khan and Afrin Shikha Raisa have played their roles importantly. And the srabanti’s performance has increased their application to the audiences. All they have played their natural performance as possible. The narrative is also a very unique and attractive. It is a tight script. But there are some excessive dialogues in some slow motion scenes. These are the weak phases of the film. Another important and attractive thing is its songs. They are hearable and popular to the audiences. Specially, the theme music is also has kept its main contribution in the film. There is special appearance of Taskeen Rahman. But his performance and dialogue is not same as Tahsan and Srabanti. His has tried his best in performance and dialogues. But he has done his best in “Dhaka Attack” (2017). His dialogues and performance are weak in this film. Another important thing I have noticed in the film is formality. Tahsan Khan’s formal dialogues and performance in the office but he does also in the house with his mother and daughter. I guess they are the members of a high class family. So, they can do it easily. But sometimes I think do the high society’s family members never leave formality for a moment? It makes me thinking more. I don’t know. But I think there should something informalities in the house performance. Specially, dialogues with mother and daughter at home are that. I have said about background music. It’s awesome and very attractive. The cinematography is also awesome and excellent. There are variations in the shots, scenes and dialogues.  Set design, make up and costumes are also made precisely. Overall the film keeps its appeal as a hit film to the audiences. But there are some weak directions in a film. It has also had some. There are some unnatural performances in the film of Taskeen Rahman and the character of Tahsan Khan’s mother. There are also unnatural dialogues of them. In Editing I have noticed one thing in the scene when Tahsan Khan hears the sound of a child in a dream scene. He sleeps rapidly and the editor has left only one shot between the two same shots taken as wide shot. The wide shot in which the light is switched off, should be durable or should add another shot for holding naturalism. But I guess he slept and after a single shot again gets up. I think it’s not natural or could not hold reality. But overall the film is best for its outstanding story and performance and tight script. However, Tahsan’s performance is excellent. As a father, he agrees everything to sacrifice for his daughter Rupkotha (Afrin Shikha Raisa). Actually he is not her biological father rather his friend Jemy. But Faisal loved Diya, Rupkotha’s mother truly. Jemy consented to abort for the purpose of his carrier. But Diya did not agree in abortion.   So, after her death, he could not leave Rupkotha and at the ending scene he was also going to sacrifice another thing for his best friend Jemy. Actually there is something in human life for living whatever a profession or a human. But Faisal’s life is only for Rupkotha. He is her father he is her mother he is her everything. In this sense, his acting is extra ordinary in the film that has contributed it mostly to be attractive to the audiences. 

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